Riders on the storm
Riders on the storm
Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out alone
Riders on the storm
There's a killer on the road
His brain is squirmin' like a toad
Take a long holiday
Let your children play
If ya give this man a ride
Sweet memory will die
Killer on the road, yeah
Girl ya gotta love your man
Girl ya gotta love your man
Take him by the hand
Make him understand
The world on you depends
Our life will never end
Gotta love your man, yeah
Wow!
Riders on the storm
Riders on the storm
Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out alone
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Riders on the storm
Released to celebrate the 40th anniversary
of the release of the first Doors album, THE VERY BEST OF THE DOORS supersedes
all former Doors compilations. At two discs
and 34 tracks, this is quite comprehensive
for a band whose key lineup released only half a dozen albums. In addition to
all the expected hits like "Light My Fire," "Hello I Love You," and "Roadhouse
Blues," this compilation delves much deeper into the catalogue with fan
favorites such as "Not To Touch the Earth" and "Wishful Sinful," as well as a
handful of previously obscure rarities. Remastered and newly remixed by original
engineer Bruce Botnick and the surviving members of the Doors,
THE VERY BEST OF THE DOORS
is a solid tribute to the band.
Find out more click....The
Very Best OfSale
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The following is a listing of the tracks on
various Doors LP's:
MORRISON MOTEL:
Road House Blues, Waiting for the Sun, You Make me
Real, Peace Frog, Blue Sunday, Ship of Fools, Land Ho!, The Spy,
Queen of the Highway, Indian Summer, Maggie M'Gill.
Rhino's new three disc collection LIVE IN BOSTON features two complete sets
from Friday April 10, 1970 at the Boston Arena and captures the moment just
before the Doors turned their mystical psych circus into a full blown blooze
review. As a historical document, LIVE IN BOSTON is unflinching, presenting a
decidedly warts-and-all view across 46 tracks. With Ray Manzarek's
polychromatic organ, Robbie Krieger's no-frills guitar lines, and Jon
Densmore's Latin-inflected percussion, the band ably follows Morrison through
every far-flung inspiration. The covers are many, as an epic "Light My Fire"
alone touches upon "Fever," "Summertime," and "St. James Infirmary Blues"
before returning to its familiar chorus. The show, of course, belongs to
Morrison who seems stuck between shaman-poet and Brechtian comic instigator.
Indeed one of the primary attractions of LIVE IN BOSTON is the banter. With
more skits than an Outkast record--including idiotic stoner ramblings,
inspired period pieces, and wry self-parodies--this set proves that even at
his most bloviated, Morrison could be an inspired and often hilarious
performer who knew how to push a crowd's buttons. It was worth the price of
admission for Doors fans in 1970 and given the staid contemporary relationship
between rock performers and audiences, it still resonates today.