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Five To One
Yeah, c'mon
Love my girl
She lookin' good
C'mon
One more
Five to one, baby
One in five
No one here gets out alive, now
You get yours, baby
I'll get mine
Gonna make it, baby
If we try
The old get old
And the young get stronger
May take a week
And it may take longer
They got the guns
But we got the numbers
Gonna win, yeah
We're takin' over
Come on!
Yeah!
Your ballroom days are over, baby
Night is drawing near
Shadows of the evening crawl across the years
Ya walk across the floor with a flower in your hand
Trying to tell me no one understands
Trade in your hours for a handful dimes
Gonna' make it, baby, in our prime
Come together one more time
Get together one more time
Get together one more time
Get together, aha
Get together one more time!
Get together one more time!
Get together one more time
Get together one more time
Get together, gotta, get together
Ohhhhhhhh!
Hey, c'mon, honey
You won't have along wait for me, baby
I'll be there in just a little while
You see, I gotta go out in this car with these people and...
Get together one more time
Get together one more time
Get together, got to
Get together, got to
Get together, got to
Take you up in my room and...
Hah-hah-hah-hah-hah
Love my girl
She lookin' good, lookin' real good
Love ya, c'mon
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Rhino's new three disc collection LIVE IN BOSTON features two complete sets
from Friday April 10, 1970 at the Boston Arena and captures the moment just
before the Doors turned their mystical psych circus into a full blown blooze
review. As a historical document, LIVE IN BOSTON is unflinching, presenting a
decidedly warts-and-all view across 46 tracks. With Ray Manzarek's
polychromatic organ, Robbie Krieger's no-frills guitar lines, and Jon
Densmore's Latin-inflected percussion, the band ably follows Morrison through
every far-flung inspiration. The covers are many, as an epic "Light My Fire"
alone touches upon "Fever," "Summertime," and "St. James Infirmary Blues"
before returning to its familiar chorus. The show, of course, belongs to
Morrison who seems stuck between shaman-poet and Brechtian comic instigator.
Indeed one of the primary attractions of LIVE IN BOSTON is the banter. With
more skits than an Outkast record--including idiotic stoner ramblings,
inspired period pieces, and wry self-parodies--this set proves that even at
his most bloviated, Morrison could be an inspired and often hilarious
performer who knew how to push a crowd's buttons. It was worth the price of
admission for Doors fans in 1970 and given the staid contemporary relationship
between rock performers and audiences, it still resonates today.
Even
after the passing of lead singer Jim Morrison (July 3 1971) the doors to
this day have a ever increasing appeal to a whole new generation of
music listeners.
Most of the songs( music & lyrics) written where compositions of Morrison and
Krieger but the band all assisted creating rock and rolls long standing
anthems of the late 60's and early 70's..
The doors greatest rock and roll band ever, even if you buy vinyl
records, sheet music, CD's, DVDs and MP3 music. This music will last
forever.
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